2/20/2023 0 Comments Pandemonium movie 2000There’s his mistress, Mona, who’s just informed him that she’s pregnant. The thing is, the rest of Weston’s life is such a mess, that this calculated move adds up to a shit-show circus. If the game show gig doesn’t work out, maybe the station will give him more money. But that loyalty is about to be tested when Weston sneaks away to Los Angeles to audition for a game show host position.Įventually, his employers find out, and Weston decides to use their discovery to his benefit, as he has a new contract coming up. Naturally, the station doesn’t like this, but Weston is their top draw, so he can deck the fucking halls for all they care. Those softball interviews he used to give local figureheads have turned into him decking the assholes the second they go off the air. I feel your pain.” It’s a possible explanation for these scripts making the Black List so frequently.Ĥ3 year old Colin Weston is a news anchor in Phoenix. Why do we like him?” A Black List voter says, “I’m in the same place, brother. So whereas a studio suit might say, “He didn’t save the cat. These are people not yet at the top of the mountain and therefore frustrated, just like these protagonists. They’re just voting for what they like.Īnd I think Black List voters relate to these characters. Whereas the rest of the industry is concerned with getting movies made, and hence knowing that unlikable curmmudgeons are impossible to slip past studio suits whose data suggests that even a hint of a frown could cost the film 3 million dollars at the box office, the Black List doesn’t need to worry about that shit. I mean they voted The Libertine (a script that has the single most unlikable protagonist in screenplay history) the number 3 script of the year.Īnd I think I finally understand WHY. Whether it be assholes, philanderers, cranks, liars, this is the destination for dickery. That Black List loves dastardly anti-heroes more than any subset of Hollywood. I call it “The unlikable Black List bias.” But there’s a new angle to this suffering sucatash of a discussion today. Yup, we’re talking about unlikable protagonists YET AGAIN. Hot diggity dam we’re flying business class to one of the most well travelled screenplay cities in the world. The project isn’t officially set up anywhere yet, but should that happen, it will become his first feature credit. Writer Brett Conrad has written on some pretty high-profile TV shows over the last 7 years, which include Sons of Anarchy, The Killing, Marco Polo, and Wayward Pines. Premise: A news anchor’s life starts to unravel when he leverages a contract renewal by auditioning for a host position on a new game show.Ībout: This script finished just outside the top 20 on last year’s Black List. Today’s Black List screenplay imagines Anchorman as an extremely dark comedy.
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